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Stephenie Meyer's Twilight, and its "Independent" Heroine

There has been loads of criticism about Stephenie Meyer's Twilight series; being in the particular target demographic, I've been responding by shoving critical analyses at all my obsessed friends :P

There have already been many wonderful Community posts about Twilight.

But with the Twilight movie coming up (and I'm wincing a lot at that), publicity has been going into overdrive for the series. I was browsing through news articles today, and found an interview with lead actor Kristen Stewart.

While I find most of the interview pretty well-thought-out - and I also find it great that Ms Stewart actually did mention most of the points feminist and literary critics have against Twilight, one bit struck me as a little jarringly off:

Question: Have you followed any of the criticism from the feminist perspective about Bella?

KS: Ugh. I'd love to talk to them. Really. When I read little brief descriptions of the movie, I was like, "I don't want to be part of that." I was working on something else, and I didn't want to have my focus stray. It was like, "I don't wanna be part of this very set unrealistic ideological of love and push it on every little girl because they're never gonna get that." But the vampire in our story is entirely damaged. Bella wears the pants in the relationship. She's the sure-footed confident one. She's naive to the world of vampires and everything like that, but she's not doing it for him. It takes a lot of power and strength to subject yourself to someone completely, to give up the power. It has to start there. You'd be scrambling for it if you needed it. The fact that she is that, she is so trusting of herself.

It really has nothing to do with Edward and giving herself to him and being this weak damsel in distress. It's very courageous what she's doing. She's believing what's inside of her, driving her. It's a very personal thing, what she's going through. It really has nothing to do with Edward. So I don't know why [the criticism].

*Spoiler after the jump*


There are two rebuttals from Twilight fans that really, really get to me.

The first, I object to solely from my position as a literature student, which is that "Twilight doesn't have to make sense! It's a fantasy! Realism isn't necessary! You're reading too much of real-world stuff into it!" This point is patently ridiculous, but a solid foundation in literature is often enough to poke holes in this argument.

The other, which I utterly loathe, is the argument that the character of Bella Swan is "strong". The argument that she makes all her choices - to hook up with the vampire Edward, to become a vampire, to keep her vampire foetus (which ends up being bitten out of her uterus, iirc, but oh well) - takes the notion of choice, which to me and I expect to most is the essence of feminism, and completely abuses it. It's the same "choice" defence used by Schlafly and Palin and many others to excuse deliberately anti-feminist stances. I believe Ms Meyer used it herself.

The second argument, I find more insidious, because it sounds appealing to Twilight fans; I also hear it very frequently from the teenage-girls demographic. I find it rather difficult to counter-argue this point not from a society-based viewpoint (which would be simpler) but from the p.o.v. within the framework of the series itself. (That would be because I find myself unable to get through the first quarter of the first book without breaking into fits of rage and screaming...)

Mainly my beef with it would be that throughout the series, it's simply Bella gasping over the sweetness of Edward, the graciousness of Edward - heck, the sparkliness of Edward. That doesn't sound like a confident character, especially when she keeps fretting over her clumsiness and various other insecurities and keeps getting reassured that she's utterly gorgeous (as though that's all the affirmation she needs in life). I don't think many fans see Bella as being independent either, judging from how many cite the reason for their Edward-love as being how he's an old-fashioned gentleman (translation: he's in charge and lets her act demure).

Finally, is Twilight simply one of those popular phenomena that blow over really quickly and to which critics are overreacting? I truly don't know. It is after all a teenage fantasy, a genre not known to either have long-lasting impact or to be solidly constructed to begin within. Apologies for the length of this rant, then, if that's really the case.

Posted by beka - November 24, 2008, at 05:10PM | in Books
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168 Comments

[0+] Author Profile Page Geneva said:

first of all, i love twilight. i'm not going to lie. i just finished the last book and immediately flipped open the first because i missed it. i also went to the midnight premiere of the movie.
that being said, i think that the fact that twilight is so far off being "realistic" does actually have some weight in various arguments for it. i know many people are appalled by the abusiveness of edward's relationship with bella, but it's important to note that edward is, afterall, a vampire. nearly every instance of abusive behavior in the book is in response to some life-threatening situation. it would be very different if it were simply "edward is jealous and controlling, and therefor tells bella what to do and who to hang out with", but in reality the situation is much more like "bella's life is threatened by vampires who are intent on her destruction and edward, who knows vastly more about the vampire world, doesn't want bella to be alone or vulnerable because she's his soul mate and he can't stand the thought of her getting hurt"
i think the issue of choice is also very interesting, especially since the stephenie meyer is mormon. it's very obvious throughout the book, most notably when edward refuses to have sex with bella until they're married (to save her soul, of course *eye roll*) and later when bella refuses to terminate her pregnancy, even though the half-vampire, half-human fetus is slowly killing her and will eventually have to bite it's way out of her, which will certainly result in her death.
i think, however, that moments like these can be overlooked easily and still leave a wonderful book, bad writing and underdeveloped characters and all. bella does have moments of brilliance though, and especially in the last book she really rises to the occassion and shows her strength. i think again one of the reasons she seems so weak in comparison to the other characters is because she's human and really has no great way of dealing with the threat of vampires besides allowing edward and his family to protect her.
whew. sorry for the rambling. :)

But why was Bella written as so helpless? Why couldn't she have had some kind of secret superhuman power? I've read and written lots of stories where mortals and immortals face each other, each with their own advantages and disadvantages.

[0+] Author Profile Page court_oh_man replied to wax_ghost :

Actually, Bella does have her own special power or whatever you want to call it. Edward cannot read her mind, and she is also immune to all other vampires with powers dealing with the mind. So she is not completely helpless. And further on in the series once she too is a vampire she can extend this "shield" to protect those around her.

Thanks, court_oh_man.

I meant to say in my last post that I haven't read even a snip of the books.

Even if we take into account the it's-not-abuse-it's-vampirism, there's still a lot of creepiness going on. Take Jacob - he sexually assaults her, mentally abuses her, and gets off scott free because if it. Bella actually feels BAD about being mentally abused by him. Furthermore, after being forced into kissing him, she realizes that she actually DOES love him, so in essence, he was right all along, and she really was inadvertantly asking for it. This is not because he is a werewolf. It's because he is obsessed with her.

Sorry, just to clarify: Bella feels bad that she has hurt him so after being mentally abused by him.

[0+] Author Profile Page 12sided replied to Geneva :

Actually I've read in a review I agree with that the vampirism really makes it -worse- since Edward is unnaturally strong and Bella basically lives at his sufferance.

[0+] Author Profile Page nightingale said:

By my understanding, the movie is a different animal than the book. I haven't seen it yet, but apparently Bella in the movie is much stronger. Which is good, because the people claiming that the Bella of the book is strong are horribly mistaken: she doesn't get points for making decisions, and she never stands up for herself or really considers if the decisions she makes are in her best interest. All of her focus is around being with Edward, and while that doesn't make her a bad person or character, to be feminist the book needs to realize how wrong and stupid that is. (See: Romeo and Juliet, where the relationship has a similar dynamic, but the whole point is that the two star-crossed lovers are morons.)

However, regardless of if Bella is strong or not, a huge part of the plot is the danger of female sexuality. Bella deeply, deeply wants to have sex with Edward, and partake in the equally sexual act of being turned into a vampire. Edward, noble stallion that he is, protects her virginity and mortality, which she is too naive to appreciate. Sorry, but barf, that's not feminism.

[0+] Author Profile Page Lilly replied to nightingale :

"Edward, noble stallion that he is, protects her virginity and mortality, which she is too naive to appreciate. Sorry, but barf, that's not feminism"

This is just a side-note. Rosalie and Jasper (Edward's brother and sister) are a couple. On their first night together (as an unwed couple), they break seven pieces of furniture, because vampire-sex, is supposedly rough. Neither of them are made to look bad.

Edward is reluctant to have sex with Bella because she isn't built the same way a vampire is, and it would be cruel if one partner was domineering over the other.

[0+] Author Profile Page InfamousQBert replied to Lilly :

okay, haven't read the books or seen the movie, so i need clarification here. did you just say that 2 siblings were having sex in this story? if so, why aren't we talking about that, too?

[0+] Author Profile Page Megs replied to InfamousQBert :

They are brother and sister of Edward because they have been adopted so to speak by Esme and Carlisle like Edward. They are a family of adopted vampires who choose not to feed off of humans. Because they are ostrasized from the rest of the vampire world they have become their own family. Rosalie and Emmett, and Jasper and Alice are not actually related except by choice.

[0+] Author Profile Page Lilly replied to InfamousQBert :

No. Sorry. Jasper, Rosalie, Emett, Edward, and Alice are all "foster" children and in no way related. That's why Rosalie and Jasper are a couple.

They're not even foster so much as they are a group of friends that live together. They just tell everyone they are foster children so that they don't arouse suspicion.

I, like Geneva, am a huge Twilight fan.

I've read several posts (in several places) that describe the series as anti-feminist and I must disagree.

I wouldn't call the series a bastion of feminism and I don't say it gets a gold star or a cookie or anything, but I think when compare to similar tales, it does fair much better.

Bella isn't looking for something. She doesn't feel she's lacking anything. She's not looking for someone to make her whole or anything. She shows tenacity and determination. Yes, she does have some self confidence issues, but she's supposed to be a 17 yr old girl.

I also find that in most of these critiques, that not all of the saga has been read. I think it's absolutely necessary to have read the entire saga, b/c Bella's story doesn't end when "Twilight" does. Things do change.

There are several points in the series where I just very nearly stopped reading (or listening, mp3 books) because I was so infuriated with what was happening, but yet again, things change.

I, also like Geneva, don't think that you can't really remove the fictionalization while analyzing the series. The entire story really hinges on the humans interacting with the supernatural. However, I don't think these fantasy elements give it some sort of protection against criticism.

There are also things that Edward does that really speak more to being a vampire than anything else.

And I'm kind of stalling out b/c my other points involve the other 3 books, but they haven't been mentioned, so I'll stick to Twilight.

I totally agree with you...
I am also a Twilight series fan... It isn't classical literature but it is the first thing I picked up after college, because to me it was going to be a waste of time and non educational. I enjoyed it, however, some things were clearly not feminist and it did portray the ideals of the author, but most books do. But this is like Harry Potter and the Backstreet Boys, it will go away eventually.
I can't wait to see the movie... considering that I don't even know if it will come out in Japan.. heh

[0+] Author Profile Page EGhead said:

The argument that it's ok because it's fantasy is so, so dangerous. I don't have a problem with people reading this book and loving it...well, ok, I do. But I could keep that to myself if people would just straight up admit that the book is not only anti-feminist, but violently sexist (I won't go so far as to call it misogyny, though). My room mate loves the series, and she acknowledges its anti-woman aspects, and, therefore, I have no beef with her.

But to hide behind the fantasy element is absurd. It's this kind of logic that perpetuates not only sexism, but violence against women- it's not real, it's not really happening, let's just close our eyes.

P.S. The assertion that it's okay because she's only 17 is also absurd. I'm a teenage girl. Please don't insult my intelligence.

I'm not saying it's okay b/c it's fantasy. I'm saying the fantasy element can't be ignored when evaluating the actions of the characters. And as I said previously, just b/c it's fantasy doesn't make it exempt from criticism.

Geneva interpreted me correctly about Bella being 17 and having self confidence issues.

[0+] Author Profile Page BornSlippy replied to roxie :

Would you make the same argument for a lot of other "non-realistic" genres where the heroine is placed into danger because of who/what the hero is? This is a trope seen across fantasy and pulp. Detectives, cowboys, superheros, spies, etc. protecting female characters from the part of their lives that put them in a danger that "only he" can protect her from is nothing new, and neither are the feminist critiques of it.

The "fantasy" excuse is just that--an excuse. Fantasy and pulp fiction as a whole deals with the same issues and emotions and non-pulp and non-fantasy fiction, they just have fancier window dressings. I have not read the Twilight books so I cannot speak for them directly, but having read similar vampire-themed YA books aimed at young girls the plots of those books could have just as easily been done with--as one example--rival gangs instead of vampires and werewolves. I will not excuse sexist actions and attitudes that I would call out in non-pulp fiction just because their pulp counterparts have spurs, capes, or sharp, pointy teeth.

I'm not trying to excuse it, but I find a lot critiques that try to remove or ignore the "fact" that Edward being a vampire, Bella being a human, and Jacob being werewolf are reasons/motivations for a lot of the things they do

I think ShifterCat said it best.

[0+] Author Profile Page Geneva said:

i don't think roxie is saying it's ok because she's 17, she's just saying that a lot of 17 year old girls have self confidence issues, just like bella.
and just to clear it up, edward is never violent toward bella. his entire goal in life is to keep her safe, and any time she is in any pain, physical or emotional, it kills him.
i'm not saying that abuse is ok if it's set in a fantasy world. i'm saying that because it's a fantasy world, the circumstances are different. bella isn't some girl who's boyfriend is overprotective and controlling, she's a girl who's life is threatened by vampires, and the only real protection she has against that is... edward.
luckily for her, he's pretty invested in keeping her alive, being hopelessly in love with her and whatnot.

In Midnight Sun Bella tries to walk away from Edward and he grabs her coat, stopping her from leaving, feeling angry because he hasn't spent enough time with her yet. Not because he has to protect her from creatures that will kill her, but because he hasn't spent enough time with her yet. I think he's known her for about a month at this point. That's not a fantasty element or him trying to protect her, that is an unhealthy fixation.

I would also argue that the stalking - which is certainly not physically violent but DEFINITELY entirely inappropriate and disturbing - has nothing to do with keeping her safe. It starts up far before she gets into any trouble with any other vampires/wolves, and absolutely does not require his sneaking into her room through the window and watching her sleep WITHOUT HER KNOWING IT UNTIL THEY START OFFICIALLY DATING. As a matter of fact, we find out in Midnight Sun that he is also present in a number of scenes in Twilight in which she does not know he's there. He says he's not doing it to protect her, but just because he wants to watch her.

What's more, many of his "protective" moments (ie: keeping her captive to stop her from seeing her friends, driving her up to the border of La Push against her wishes, growing enraged with Mike for having the audacity to like Bella as well) occur without her permission. I don't really see how any of these can be chalked up to his being a vampire. Personally, I'd chalk them up to him being a creepy, obsessive guy who - let's not forget - wasn't first attracted to Bella because of her sparkling wit or great personality but because he wanted to eat her and was frustrated to the point of rage that he didn't know what she was thinking about at any given second.

Gah. I haven't read Midnight Sun (past chapter 1). I prefer to wait for the whole book instead of getting cliffhangered.

[0+] Author Profile Page Rose replied to Geneva :

(Breaking Dawn spoilers in this comment)

"and just to clear it up, edward is never violent toward bella. his entire goal in life is to keep her safe, and any time she is in any pain, physical or emotional, it kills him. ... i'm saying that because it's a fantasy world, the circumstances are different."

How do you feel about the plot development in "Breaking Dawn" when Bella discovers she's pregnant, knows and understands that it is a very risky pregnancy that could kill her, makes the CHOICE that she wants to keep her baby anyways, and then has to get a bodyguard (Rosalie) to protect her from Edward -- Bella's _husband_ -- who admits to Jacob that he is ready to physically strap Bella down and cut the baby out of her against her will to save her life?

Yes, it's a fantasy world. Yes, she is pregnant with a half-vampire baby, which is not a real-world issue. A risky pregnancy that could potentially kill the mother, however, is very MUCH a real-world issue. And most people would be horrified at the idea that, if a woman MAKES THE CHOICE that she wants to risk carrying the baby to term, she has to be kept physically safe from her husband so he can't strap her down and cut her baby out of her body against her will. The fantasy element of the book doesn't change what Edward wants to do.

(And the argument that Edward wants to abort the baby because of possible risks to the world from such a possibly-demonic creature doesn't hold. Edward doesn't want to terminate the pregnancy to possibly save the world from an antichrist-esque monster who could kill hundreds (since at first, they don't know WHAT kind of creature this half-vampire baby could turn out to be). Edward wants to terminate the pregnancy to save Bella's life, even though she _has told him her decision is to carry the baby to term_. She decides this, and she still needs Rosalie to act as a bodyguard to protect her from her OWN HUSBAND.)

It's just one example, but this scene in Breaking Dawn pretty well sums up every single problem I have with the series.

[0+] Author Profile Page aleks said:

I'm so glad I don't feel the need to try and intellectually justify Sports Illustrated.

[0+] Author Profile Page opheliasawake said:

The "but he's a vampire" argument is absurd. Buffy caught on pretty quickly, as did most of the humans that came into contact with Anne Rice's vampires. Heck, even Mina Murray tried to say no to Dracula. Meyer's vampires feel so allegorical, because they honestly lack the teeth (sorry about the pun). Edward is the "perfect man," i.e. a provider who does all the thinking for you. I agree with the good Count on the subject: Bleh.

[0+] Author Profile Page Geneva replied to opheliasawake :

it's not that he's a vampire and therefor abusive by nature, it's that his being a vampire puts her in danger that can really only be avoided by him protecting her, often taking actions that would seem abusive in a mundane human relationship where one party wasn't being hunted by a mythical creature they had no possibility of protecting themselves from...

I'm glad someone finally said this. I can't stand all of the Twilight hype.

[0+] Author Profile Page Kay said:

I've just finished reading the book, and personally, I don't understand why so many feminists are up in arms about this.
Obviously, we all have a right to our opinions. But having read through this book armed with all the criticism I'd read previously, it doesn't merit most of it.
There are several parts of the book where Bella stands up for herself. In the first book it's her own plan that they use to keep her safe, for example. She doesn't just let them do whatever they want blindly. She knows what she wants and keeps going after it.
Yes, the 'no sex till marraige' thing is stupid. Yes, her blind adoration of Edward is, well, blind and unreasoning. But for a character, with the whole 'first love' thing thrown in, it's kind of the reaction I'd expect from a 17 year old in love for the first time. And I positively love the fact that one of her arguements for why he should turn her into a vampire was that wiht her as a human and him as a vampire, their relationship was unequal. I believe her phrase was 'needing an equal playing field' (paraphrasing).
So it's not fantastic. It's not a feminist manifesto. But it's not full of 'violent sexism' either.

It's not Bella's character that I take issue with, but what is done with her character. After all, were I to meet her in real life (apart from finding her painfully boring) I wouldn't hate her. Her choices are her choices.

But the point is that Bella is not a person, she is a fictional character. Fictional characters are not real people, although they are portrayed as such, but devices used to tell a story. Regardless of whether Bella's motivations tell her to do this or that, the fact is that Stephenie Meyer has created a character who blows off college, her family, her friends, and her LIFE in order to get married and have a baby - and yes, she will have the baby, even if it kills her. Which it does.

I don't think Bella is stupid or unfeminist, but that's because Bella does not exist. I think the message of the book is stupid and unfeminist, and Bella is indeed a prime component of the book.

Not quite. Although it's not really expanded on in the book, Meyer has said that Bella would go on to attend college.

Maybe it's just me then, but it seems like too little too late.

No, it's not just you. I agree.

Word. One thing I will say for them is that they are addictive. I was pretty appalled by a lot of the content, but damn, I did actually read every single one. I don't even know how it happened :D

[0+] Author Profile Page Geneva replied to roxie :

haha. actually, if i remember correctly, she agreed to go to college before becoming a vampire(which is what edward wanted all along) so that he would have sex with her.

[0+] Author Profile Page Rose replied to roxie :

Unfortunately, the books never say it, so it doesn't really matter.

(I've little use for J.K. Rowling's "explanations" of what the characters do after the last Harry Potter book, too -- and I'm a huge Harry Potter fan. But it's what's _in_ the books that count.)

[0+] Author Profile Page Kay replied to gracie-bird :

like johanna in dairyland said below... un-feminist guilty pleasure.
Those are all valid points you've made, but what I"m saying is that so many people who criticize the books completely neglect to present a balanced view of it. Aside from what you and others mentioned, there are good moments in these books. I've mentioned a few from the first, and as I finish the others, I'm pretty sure I'll find more. I just feel that it's very unbalanced coverage that people keep listing all the bad, and throw the good out the door.

Because it's a book, you can't separate the fact that these are as you've said, characters who are not real. Plenty of people try to do that. I'd like to give the benefit of the doubt to teen girls, and submit that they probably can tell this from real life, and identify problem areas. My sister (13) said it pretty well. I was repeating a lot of the criticism I'd heard (hadn't read it yet), and she said that, yeah, Edward's behavior in real life would set of alarm bells in her head. But since it's fantasy, and is supposed to be a suspension from reality, she could just sit back and enjoy the story, because a lot of his motivation for his creepy behavior is, as he says multiple time, that he's not human.
She also said that it's a pretty good primer in 'what to watch out for' in a boyfriend. If he's acting like this, in real life, he's totally bad news.

[0+] Author Profile Page johanna in dairyland said:

Two things-

I've been sucked into the Twilight-verse, and actually enjoyed the books, even though I spend most of the time rolling my eyes at Bella's poor choices. And I'm still trying to figure out how it is that Edward is themostgorgeouscreatureever. Whatever. I also agree with the original post, and most of the critiques in the comments.

I just file it under "Un-Feminist Guilty Pleasure."

I read the first book years ago and thought it was awful, so I'm not sure I can comment on the sexism. I was much more offended by the terrible prose and complete lack of character development.

Later on, in one of the books I didn't read and never plan to, there's a huge anti-abortion message. I wonder how the movie is going to handle that.

[0+] Author Profile Page Kathryn said:

whoa. I don't know much about the series, but is it true that the girl gets pregnant with a vampire fetus and has it bitten out of her? can someone explain that? that is so over-the-top, I'd like to read that excerpt for political undertones.

As i understood it, they were abstinent or something.

[0+] Author Profile Page Devonian replied to Kathryn :

Yes. And then a werewolf falls in love with the baby.

I wish I was joking...

Yeah...Breaking Dawn is...well...you have to read it for yourself. I prefer to not think of it too much.

[0+] Author Profile Page Mama Mia replied to Devonian :

Um, that was the worst part of the whole series. Actually, 4 was the worst book, sort of like an X-Men gone wrong kind of thing. Oh well.

That is true. It's bitten out of her b/c it's literally killing her and pretty much clawing its way out of her.

[0+] Author Profile Page Mama Mia replied to Kathryn :

MAJOR SPOILER FROM BOOK FOUR:


Bella unexpectedly gets pregnant on the honeymoon. The baby is half-vampire and half-human. After doing some research, it is discovered that in all other cases of a human pregnant by a vampire, the baby basically gnaws it's way out of the mother and the mother dies. Everyone around Bella is begging her to abort the baby but she doesn't want to, because she feels a strong bond with it quickly, as it grows to full term in about a month. They finally giver her a c-section right when it looks like she is going to die, and at that moment they also turn her into a vampire, essentially saving her life.

I didn't actually find it to be a huge anti-abortion message, personally. Yes, she kept the baby, but no one was saying she would be terrible if she didn't, and no one was made to look bad for urging her to abort the baby.

I also started the books after having read tons of feminist critiques of it, so I was fully expecting to despise it. But I ended up liking it. I asked my 15 year old baby sitter what she and her friends thought about Bella and her choices, and they said they thought she did a lot of dumb stuff, but they were able to see when she made questionable choices. She also didn't find it to be an example of domestic violence (nor did I, and I worked on a DV hotline for a decade).

I guess I am with Johanna in dairyland. I just file it under "Un-feminist guilty pleasure." But I wouldn't call it "anti-feminist," though. Just "un-feminist." ("Not feminist" rather than "opposite of feminism").

I found it profoundly pro-life and pretty disturbing. Yes, Bella's choice to keep the baby is portrayed at first as ludicrous, and almost all the supporting characters try to stop her, but look at the aftermath: She allows the fetus to eat it's way out of her womb, effectively killing her, and the baby immediately becomes magical and beautiful and the apple of everyone's eye, even while mommy is still lying "dead" on the table. Stephenie Meyer then doles out lush praise for this kid for the next twenty chapters or so. Even though it may have been inadvertent on her part, I really got the idea that the message was have the kid, even if it kills you. Everyone will thank you for it.

If the character of Sam getting angry, phasing into a wolf persona, and mutilating his girlfriend's face isn't domestic violence, what is? Mind you, this is the same girlfriend that falls in love with him after said mutilation and is referred to as "a wolf girl" from thereon in, cooks breakfast for all his friends, and has maybe two or three lines throughout the entirety of the book. In fact, the only girl that isn't hopelessly cleaving to a man or popping out babies is Leah, who is routinely put down by every other character. I know I've sort of gone off the rails here, but what I mean to say is that I think there's pretty sufficient evidence for violence against women and pro-life messages in the book.

[0+] Author Profile Page deerly replied to gracie-bird :

AMEN!

The domestic violence with Sam's girlfriend really hit home with me. She describes the mutilation and then gushes repeatedly about how tender and doting he is to her... just like the abusive man who then puts on a show for guests or even his partner.

The biggest problem I have with ALL of the abusive relationships and issues in Twilight is that its NOT THEIR FAULT. Even feminists have taken the "not their fault" bait.

It's not his fault because he is a vampire/werewolf. While fictionally speaking that might be true but the nature of these books and the way we are meant to interpret an feel about these relationships shows a much darker meaning.

We are meant to excuse stalking, physical and emotional abuse, controlling and demeaning behavior from our mates because it ISN'T THEIR FAULT. They CAN'T HELP IT. Remember that these books are basically fantasies and young girls view these characters as IDEAL relationships and heros.

Not healthy in the slightest!

[0+] Author Profile Page Lucinda replied to deerly :

You're talking about fiction ... LITERATURE!!!!! Not "The Guide to Being a Strong, Healthy Woman." Are you trying to say authors can't write about violence against women because violence is a bad thing? What about creative license? What about ART as an end in itself, not just a potential influence on young women?

I'm a feminist but these "feminist" objections are absurd. Novelists are not aiming to write about how the world should be; they're telling a (hopefully) compelling story that they're been inspired to write. And they should be allowed to be story tellers. Period. End of story.

You're comments are along the lines of the people who try to stop Salman Rushdie from publishing.

Please don't confuse criticizing a book with trying to disallow people from publishing it.

I think you're missing the point. I would never say that Stephenie Meyer has no right to portray abusive relationships the way she does. What I will say is that I find her portrayal of them ignorant when I'm being kind, and down right offensive and potentially damaging when I'm not.

She has every right to write whatever the hell she wants and I have every right to interpret it in a way that makes the most sense to me and criticize her work as I see fit.

[0+] Author Profile Page Lucinda replied to gracie-bird :

Trying reading a book with the cast of characters that includes ...

Saint 1
Saint 2
Saint 3 & etc.

It's horribly boring.

Yet, many are impugning Meyers as if her characters' flaws are HER flaws. As if she's promoting the lifestyle of a murderous vampire.

Authors write about flawed, imperfect creatures, e.g. domineering men. This doesn't mean that they, in their own real world life, want such people to thrive, date their children, serve as roll models, & etc.

Try to remember you're talking about characters in a book, not nominees for friend. You seem to move quickly from pointing out a fictitious character's flaws to slamming the author for hurting young women.


Far from it. While I know that there are more than a few teenage girls who can't separate fantasy from reality, I would not hesitate to say that the majority can; it would be insulting to their intelligence otherwise. I'm curious as to where in my post you find evidence for your claim. What bothers me about the book is the sexist messages, and how it's somehow being twisted into some sort of literary behemoth worthy of critical acclaim. I don't think it is.

And I never suggested that the alternative to this book would be a cast of characters that have no flaws. Furthermore, I'd go so far as to suggest that the characters in Meyer's book ARE portrayed as saints DESPITE their flaws (ie Edward stalks Bella because he's a vampire and wants to protect her and loves her so much and is never called out on it. Ever.) Edward is not portrayed as domineering, he is portrayed as a knight in shining armor. Jacob is not portrayed as a man capable of sexual/mental assault, he is portrayed as a potential love interest. Not only is it infuriating, I agree, it also makes for very boring reading at times.

Take for example Maribou Stork Nightmares, a book I mention in another post - it's from the POV of a man who can certainly not be described as a saint in any way, and I consider it WAY better reading material than Twilight. As a matter of fact, all my favorite books contain nuanced, flawed characters who are portrayed as such because that's what makes them interesting - I'm sure you agree.

Please don't try and pin me for things I haven't said. Stephenie Meyer wrote a cheesy book with sexist and extremist pro-life messages. I'm criticizing her for it. We are both in our right to do this.

[0+] Author Profile Page sebaceousdrazzle replied to gracie-bird :

"more than a few teenage girls"
really? you could have easily said 'more than a few readers' or even just a simple 'people'.

Arguments about how sexist something is generally shouldnt start with revealing your own sexism and agism.

To have said what you suggested would be to ignore the overwhelming demographic.
The Production company, Exec. Producers, Producers, people who pitched it, and the PR folks from the production company did not ignore the obvious demographic, why should anyone commenting here ignore it?
The truth is this simple:
The series (of books) have a built in demographic. If it did not, the film would not have been green lit.
That demographic has a certain amount of money to spend on entertainment.
The timing, advertising, every interview is based on information gathered about that demographic-
The demographic is iverwhelmingly teenage girls.
Teenage girls were LINED UP to see this film.
No, it is not a feminist film-
and yes, some feminists enjoyed the film-
and of course, that is causing some controversy.

Thank goodness for intelligent discourse!
This gives us an opportunity to examine some of our conditioning. It's an opportunity to examine the motivation and conditioning of the writer. It is an opportunity to examine what turns us on and why...and what we like or would like to change about that (as individuals).


There are other stories that are more feminist to enjoy out there.
I wont spend my money on this series. But, then again, I'm not their target audience.

Lucinda pointed out the demographic of young women specifically, providing the context for my reply. Certainly if she had claimed that readers in general were being damaged, I would have responded in kind. Did you read her comment at all? Or just mine?

Agist? I fully believe that some adults are just as incapable of separating fantasy and fiction as some teenagers are. Furthermore, I think the same thing can be said of both sexes. Since, however, we were already speaking of YOUNG WOMEN I don't feel I need to clarify how I feel about every demographic in order to speak with authority.

[0+] Author Profile Page littleblue replied to Lucinda :

Yet, many are impugning Meyers as if her characters' flaws are HER flaws. As if she's promoting the lifestyle of a murderous vampire. Authors write about flawed, imperfect creatures, e.g. domineering men. This doesn't mean that they, in their own real world life, want such people to thrive, date their children, serve as roll models, & etc.

Yes, you do make a good point. In an article, Meyers is quoted as (and sorry - I don't have the citation) (quote): "I never meant for her fictional choices to be a model for anyone else's real life choices. She is a character in a story, nothing more or less. On top of that, this is not even realistic fiction, it's a fantasy with vampires and werewolves, so no one could ever make her exact choices. . . she lives in a fantasy world...Bella is constrained by fantastic circumstances. . ."/quote

So the author has carte blanche of imagining and crating (author self-described) "fantastic circumstances" and a "fantasy world," yet she creates the world she did... eons-old versions of gender stereotypes. And as I wrote somewhere above, a feminist perspective isn't just about choices. Given that, what about the choices Meyers made in designing her story? What about that female werewolf (I forget her name) who is both bitter and outcast because she's essentially sterile and her "female parts don't work right"? What about the girl in school whom Edward had to read and referred to the act as "condescending low" because she was so shallow? How about Rosalie - snide and bitter because she didn't have a baby? How about Rene whom Meyers paints as a joke and as a convenient plot device for Bella to be the motherless waif every good fairytale should have? How about knock-out, luscious vampire Bella who still has to get dolled up to meet her document forger, because if money, fear, or kindness isn't enough to get what you want, sex-appeal sure will be? And what about this "physical love is profound and transforming" nonsense that is, yet again, about controlling female sexuality?

[0+] Author Profile Page rrobyn said:

I give a big HELL NO to this entire franchise. I prefer the "Mists of Avalon" books by Marion Zimmer Bradley and other fantasy stuff with strong female characters (and decent male characters as well).
And no,vampires DO NOT "sparkle". Bleh.

That is definitely one of my most favorite books. I absolutely adore and give out at gifts

[0+] Author Profile Page Aimee replied to rrobyn :

I LOVE Marion Zimmer Bradley. Those books have an undeniable feminist message, while still being fun, escapist fantasy.

I need to read more Ursula LeGuin, myself. *heads off to her Christmas wishlist*

[0+] Author Profile Page ArtOfMe said:

I'm not interested in reading Twilight, especially after all the criticisms I've read about it. Yet everyone in my college seems to love it, and they're obsessed with Edward. I fail to see what is so amazing about an emotionally abusive (abuse isn't only physical, gals), too perfect vampire who doesn't even deserve the vampire label (sparkling in the sun???)

I don't care that it is a vampire story. I love Buffy and even Spike is a more interesting character than Edward. Just because a character is supernatural doesn't mean he can't have flaws.

For example, check out Tamora Pierce. Her fantasy books have magic, but the characters are all multi-layered and realistic, even with their supernatural powers. Her female characters encompass a wide spectrum of strengths--physical, relational, emotional, intellectual--and don't need to rely on men to have meaning in their lives. If teenage girls want a guy to swoon over or girl to admire, Pierce's characters are a much better choice than Meyers's flat and one-dimensional tripes.

And I don't care that Bella doesn't understands Edward's world and he wants to protect her. The author could at least show that Bella has interests/talents that have nothing to do with needing Edward. I know it's romance, but this drivel is not at all romantic to me. True romance is when people see each other's flaws and connect despite all the other odds, helping each other grow and change in new ways. Being attracted to a guy because he's so hot is not my definition of love.

I think I'll stick with more empowered heroines (and heroes). And I'm glad to see that someone is pointing out the blatant anti-feminism of it all.

[0+] Author Profile Page Mama Mia replied to ArtOfMe :

I would not call Edward emotionally abusive, having actually read the book. In the end, Bella is the only person who can save everyone, so she does have talents that have nothing to do with needing Edward.

The only reason she can utilize that talent is because she was triggered by Edward after becoming a vampire... for Edward.

I think what ArtOfMe means by "interests/talents that have nothing to do with needing Edward" is perhaps skills, ambitions, or goals - forgive me if I'm reading into this wrong. Think of it this way: Take away Edward, and who is Bella? The only evidence the book offers us is a) someone who cooks meals for her dad, does her homework, reads a few books because it is required of her at school and has no ambition of any sort or b) someone who finds another male figure to focus her attention on and define herself around.

[0+] Author Profile Page BornSlippy replied to gracie-bird :

As someone who's not read the books, do any of them pass the Bechdel Test?

1. Two female characters
2. who have a conversation
3. about something besides a man.

http://www.flickr.com/photos/zizyphus/34585797/

I believe they do, but then again, so did 27 Dresses :P

[0+] Author Profile Page Mama Mia replied to gracie-bird :

Wait a minute, here. Does 27 Dresses have vampires in it? If I'm going to spend time with something that has weak female characters, there has to be vampires.

Hahaha, agree!

"The dress is perfect. The cake is wonderful. The vampire is sparkly."

[0+] Author Profile Page kaija said:

Haven't read the Twilight books and not terribly inclined to, being past the "target demographic" and the yearning for deflowering that a certain type of romance novel turns on, though I DO suspect that the whole vampire thing is a "safe" way to entertain the whole forbidden fruit scene as well as some light S&M flavoring.

I DO like the Anita Blake, Vampire Hunter series by Laurel K. Hamilton, for some of those same reasons but more more down and dirty ...lots of edgy, graphic, fetish, magical, otherworldly influenced sex and violence. But Anita really IS a strong, pushy, kick-ass main character who entertains multiple suitors (sometimes more than one at a time) and rules the roost by fighting along side the boys and with them...definitely an adult guilty pleasure :)

[0+] Author Profile Page Kay replied to kaija :

they've turned that into graphic novels, and there are talks of a movie. I'm so excited!

[0+] Author Profile Page kaija replied to Kay :

That is great news! Thanks for the heads up :) I think a graphic novel sounds great, but if it's gonna be a movie, I hope for good quality soft-core porn *evil grin*

I read it for the lulz, and stayed to rant about the sexism.

http://cleoland.pbwiki.com/Twilight#Bookdiscussionentries

Above are some recaps/discussions of the book that mirror my feelings are are also indescribably hilarious.

I wrote a long and ranty post about these books in another forum, so I hope you don't mind if I just quote instead of rewriting. It's kind of spoilery.

SOME OF THE PROBLEMS I HAVE WITH TWILIGHT

1) Bella/Jacob. She uses him in order to avoid dealing with an unhealthy obsession, he sexually assaults her, mocks her for trying to defend herself (a joke that her father gets in on, 'cuz haha, it's funny when women try to deter their aggressors and only end up making things worse for themselves), manipulates her into sucking face on the grounds that he will go on a suicide mission if she does not...and she realizes that she loves him? And has always loved him and has just been so blind? Thereby excusing his constant persistence and borderline harassment all throughout their extremely sketchy friendship because she wanted it all along even though she didn't know it? Deeply disturbing. I would rather my teenage daughters read Maribou Stork Nightmares.

2) The contribution to rape being "sexy". See above, plus the glorification of Edward's constant desire to literally destroy Bella, how he often states that he's afraid he just won't be able to help himself, and how that is so casually and easily intertwined with sex. I'm not saying that people can't have rape fantasies. I'm just saying that if you're going to write a book to appeal to young teens, maybe barely-restrained-rape-as-the-ideal-relationship isn't the coolest message. Like, ever.

3) The pregnancy/delivery. Straight up, I am so uncomfortable reading about how a fetus literally tears it's way out of a mother's womb in the context of the times. With the possibility of all forms of contraceptives and abortive methods being criminalized in some states, it's profoundly disturbing to see the importance of a fetus' existence win out over that of the actual human being carrying it. Now I know that it was crazy Bella's idea to do this and pretty much everyone in the history of everything was against it, so I'd be willing to consider it a commentary on the current state of affairs if it weren't for the fact that all of crazy Bella's crazy schemes turn out to be the exact right thing to do. Oh, and that everybody loves the baby more than life itself and is so glad she had it after all.

4) Laughing off Dartmouth. Who needs higher education and greater chances of self-sufficiency when you're in love? With an older man? At seventeen?

5) Staking everything on a guy whose primary level of attraction for you is physical. Seeing as Bella and Edward have no personalities (because clumsy and sparkly are not personality traits), but neither of them can stop going on about how hot/tasty the other is, I'm inclined to think the frenzied craze is entirely sexual, or at least, that's all that's important about it. In fact, it's all Bella really thinks about the moment their lips touch. Defo wrong to teach young girls that any man who swoops in and can't stop talking about how irresistible you are will love you forever. Sometimes he will. Sometimes he most definitely will not.

I'm not going to lie... Twilight is my (un)feminist guilty pleasure/indulgence. I know Twilight isn't feminine-friendly at all, but I devoured the books.

Though there are many reasons why Twilight is not an example of strong, feminist characters, and plenty of bloggers have pointed out those reasons. However, I was very impressed with Edward because he actually said no to sex. There is a scene in the third book where Bella lightly pushes him away and he immediately stops. What a beautiful concept-- no actually means no.

One of the things I did find refreshing about it, was that Bella was not made the gate keeper to Edward's sexuality.

[0+] Author Profile Page Catriona said:

I really don't want to get into a Twilight debate, because this is something that I've struggled with. I read the first book when it FIRST came out. Way before the book "took off". I LOVED the first one.

However, I balked, and big time, at Edward's condescending ways toward Bella. I didn't like it. He seemed amused by her. But I loved it anyway, because I couldn't help but be sucked into the story.
Then I read the second one, and Bella does get better in this one is some ways, because she is without Edward, but she is mentally very messed up. She goes into a walking zombie state because he isn't there, and then progresses to putting herself in life threatening situations, just because she "imagines" him scolding her when she does something dangerous. That's not only EXTREMELY unhealthy; it's kind of sick.
I read Eclipse and I hated HATED HATED it. My love for the first book was dwindling at that point, I admit. Jacob forces himself on her, mentally abuses her, and she falls in love with him. The whole ending of that book is just WEIRD.
I mean, feminist issues aside, ugh. And you don't want to get me started on Breaking Dawn, which is the most poorly written book I've ever read, and I've read a ton of them. It was awful, just barely a step up from "fan-fiction" and that is saying something bad. I had to actually stop reading it, because the whole premise was so stupid.
So while I still like the first one (notice: like not love like before), I cannot say that these books are great. In fact, they are all poorly written, and have some seriously bad messages in them.

And for those who justify it with saying "it's because he's a vampire and he wants to protect her", I understand. I used that defense of the first one. But I can't let my WANTING to like something stand in the way of what is actually right. I don't care if a guy looks like Edward Cullen, it wouldn't be funny that he is so condescending, or that he OR Jacob are so obsessive. He broke into her room to watch her SLEEP! While in a book that somehow to teenage girls seems romantic, in actuality it is very creepy. In fact, it's even creepy in the book. I have no problem with a story of "soul mates", but these characters (especially Bella) couldn't stand on their own without the other, and that is not good writing.

A big fat "agree" to Edward's condescending nature. In Midnight sun it's mentioned more than a few times how he thinks she's so cute when she's angry. Blech.

[0+] Author Profile Page Okra replied to Catriona :

"But I can't let my WANTING to like something stand in the way of what is actually right."

This sentiment moved me. I've tried to live my life according to it.

We all know it's hard, though: society has given us massive manila folders in which it wants us to "file stuff under Unfeminist Guilty Pleasure."

[0+] Author Profile Page DawnLynn said:

I am a fan of Twilight. However, as I read the series, I became gradually more disappointed. Twilight and it's sequel, New Moon, are worth the read. Yep, you have some abusive stuff. However, Bella gets her moments in New Moon to do stuff on her own. However, as a character, I found Bella progressively annoying as the series kept progressing. Meyer's wasn't really trying in the third and fourth book, and that's where the worst parts of the series happen.

In Eclipse, I really, really hated how Bella went from 'I want to be an equal partner' to 'Oh no! I don't know which guy I like! I'm going to let them fight over me and be helpless and selfish.' The third book is all about Bella getting protected, but I give her mad props to resist the marriage proposal for so long because she didn't want to get married young. However, ooops!, she did anyway. *groans* I hated the wedding and the entire 'purity' theme with sex in the entire book. Female sexuality is a theme that is tightly bound up with the vampire story, and Bella's need to get bitten and have sex is made out to be disturbing and unnatural. I personally think that's bullshit, and I would have liked to see the books not have 'stay pure' be the main message. However, Meyers inserts her own beliefs into this book with the issue of romance, and in New Moon, it's made quite apparent that the series is what happens if Romeo and Juliet had lived.

Let me explain. Romeo and Juliet worked because the lovers died. Twilight falls flat in a feminist sense because young lovers are dumb. They aren't making social conscious decisions. They want to be around each other all the time. Well, Edward CAN do that, so he does, and it's creepy, but Bella really has never had a boyfriend before this, so she wants the attention. Falling in love with your first boyfriend isn't something that you usually base on deep, idealogical principles. Sometimes, your first guy isn't the most socially conscious person ever, especially if you started dating in highschool (and usually in college . . .). However, sometimes you don't care if your guy's ideals align with your own. The two of you want to cuddle, make out, and fuck.

A huge area where Twilight falls short is that it says is a-okay to be in that first-love, teenage type romance for the rest of your life, or in this instance, eternity. Most of us will grow up and dump the guy that we only were physically attracted to if we realize that he's kind of a jerk and a tad bit creepy. However, Bella never acknowledges how creepy Edward is, but instead, she refuses to see his flaws and places all the blame on herself. Bella and Edward both ignore each other's flaws and only focus on their own, and placing the blame all on yourself all the time is annoying.

I'm not sure if the book actually condones domestic violence. It happens, but unlike the pregnancy thing, it isn't hammered throughout the entire series as being the right thing all the time. However, domestic violence is typically over-looked and eventually covered up with faux feminist 'it's her choice to go back to him!' without any real discussion on the side about how men dominating in relationships is wrong.

And why did I like the book? Simply because the story is interesting. Has it been told better? Yeah, but maybe because it is so flawed, it's compelling.

[0+] Author Profile Page Kathryn said:

Kind of an off-subject comment:

I think it's interesting that we as a country can be swept up in a vampire-human romance (and eventual werewolf-human romance with nary a thought about the implications. I mean, considering that the dichotomy is vampire/human, meaning that vampires aren't even human, shouldn't our "sanctity of marriage" alarm bells be ringing? It makes me think of all the slippery-slope bullshit that's used to argue that gay marriage will lead to legal bestiality.

This seems like it is a version of bestiality. We're all over obsessive vampires and teenagers entering the union of marriage, but we still won't allow for a real-life love story between two consenting human adults. I guess it helps that the books have a no-sex-till-marriage theme, and arguably a strong anti-choice theme.

I haven't fully hashed out this line of thinking, I find it all very bizarre.

[0+] Author Profile Page LalaReina said:

I might give this a peek. I love Buffy, Angel,Anita Blake, Blade, Ginger Snaps...Damn Bella kept her baby, lock her up!

[0+] Author Profile Page aliciamaud74 replied to LalaReina :

Twilight was a fun read for me when I had strep throat and could sail through without thinking too much about the book--so I think it's worth a peek. But Bella is no Buffy, that's for sure...although she has some behavior in common with Buffy in the Halloween episode where Buffy turns into a princess and has to keep waiting for Xander to rescue her. Laughable behavior in Buffy. . .sort of status quo for Bella.

I've read a lot of speculative fiction, including my share of vampire fiction, and I've played both versions of White Wolf's Vampire RPG. So I think I can say with some authority:

An author may use a character's vampirism (or lycanthropy, or whatever) as a reason for them to do awful things, but not as an excuse.

I haven't read the Twilight books, so tell me: does Edward ever get called on his stalking and controlling of Bella? Does she ever tell him something like, "Look, I know you had my safety in mind, but sabotaging my car so that I can't be with my friends? I will not tolerate that, not even from you." Is Edward ever made to feel remorse for his actions? Does the author ever do anything to indicate that Edward's justifications ought to be setting off alarm bells in the reader's head?

As an aside, I'd like to point out how humanity loss is roleplayed in Vampire. If your character does something particularly bad, even through a temporary loss of control, you make a test. If you pass, your character realizes that she's done wrong and feels upset about it. If you fail, she comes up with a reason justifying her actions, feels no shame or remorse... and loses a point of Humanity.

Another point: Bella knows she's in danger, both from supernaturals and from mundanes. Does she make any attempt to fight back? Does she do any research to learn the weaknesses of these creatures she finds herself surrounded by? Does she bother to learn any techniques to defend herself from ordinary human attacks? Something I liked in Smallville was that Lana Lang, sick of being targeted by every crazy in town, finally learned kickboxing. She still needed an awful lot of rescuing by Clark, but she was able to fight off at least one stalker.

Slightly off-topic: there is, oddly enough, a justification for both the "sparkly vampires" and the lack of any problem with sunlight. Lilith is said to have borne Adam "shining sons and glittering daughters", and the Lilim are often depicted as vampire-like. Also, the first portrayal of a vampire actually burning up in sunlight is in the film Nosferatu (though if anyone can prove me wrong on that, I'd love to hear it!).

[0+] Author Profile Page Mama Mia replied to ShifterCat :

does Edward ever get called on his stalking and controlling of Bella? Does she ever tell him something like, "Look, I know you had my safety in mind, but sabotaging my car so that I can't be with my friends? I will not tolerate that, not even from you." Is Edward ever made to feel remorse for his actions? Does the author ever do anything to indicate that Edward's justifications ought to be setting off alarm bells in the reader's head?

Actually, yes. She tells him to stop. He apologizes for it and stops doing it. Eventually he actually tells her to talk to her other love interest because he wants her to decide for herself if being with Edward is the right decision. Of course, the scene where she does that ends up going badly, as others have talked about above.

[0+] Author Profile Page rustyspoons replied to ShifterCat :

"Lilith is said to have borne Adam "shining sons and glittering daughters",

Is this in the Zohar or any other Talmudic sources? The only references I could find to it were in roleplaying communities and in one poem written in 1868, also an era when everything was being overly romanticized. ("Eden's Bower", Dante Gabriel Rosetti.)

Anyway, yeah, "Twilight". Everything I hear about it sounds either silly or creepy, and not creepy in a good "horror story" way. Creepy in a "teaching 13 year olds to romanticize domestic violence" way. Then again, I was also disturbed by girls who romenticized the Phantom of the Opera, another violent stalker-y character.

I'm not sure where that actually comes from -- I recall reading it in one of Time-Life's Enchanted World books.

Mr. ShifterCat points out that it might in fact be a reference to the Grigori, not the Lilim, in which case... oops.

The Phantom is at least depicted by his authors as something of a monster, and not just for his appearance.

i admit that i wanted to jump on the band wagon and know what my friends were talking about. So i picked up a copy of Twilight and finished it in two days, but even then i didn't really love the book, it was just addictive. Kinda like smoking, it was a bit icky but i couldn't put it down. i normally keep all my books after i read them, but i gave Twilight away about a month after i read it because i couldn't see myself picking it up again. i haven't read books 2, 3, and 4.

Because both Twilight and the Harry Potter series are fantasy books aimed at teens written by mothers there has been a lot of hype about Twilight being the next Harry Potter in terms of a cult following. This actual offends me on a personal level. i'm a hardcore Potter fan (yes, i listen to Wizard Rock) and i see no similarities between the two besides what i've just mentioned. To compare a poorly-written novel about a whiney teen who can't function without her boyfriend present to a set of independent heros and heroines who thrive in their own seperate and complete world is laughable.

i've been having the "Bella is weak, Edward is a jerk" argument with some of my friends for a while now, but i've recently found a group of like-minded people. i just started dancing at a new studio (full of actual artists, not just skinny, freakishly flexable people) and the first thing we talked about before class was how all eight people in the room hated Twilight. Sweet!

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[0+] Author Profile Page Choice Avenger said:

I just don't get why Edward wants Bella to go to college and have a successful career whereas she just wants him to change her into a vampire so she can spend eternity with him, doing nothing for herself.

[0+] Author Profile Page Klarrisse666 said:

hmmm...you see, i'm not even going to bother reading the book; it really is the latest Harry Potter...a series which i loathed...even as a 10 year old i found the books dull and...mainstream so to speak...and twilight has been compared to that so yea, i'm staying well away, especially now that ive heard about it from a feminist point of view.

[0+] Author Profile Page Destra said:

Finally, is Twilight simply one of those popular phenomena that blow over really quickly and to which critics are overreacting?

Unfortunately, fandoms have a method of way outlasting their cannon. Even if the main readership dies out, there will be women and girls out there writing fanfics for years to come. So sad.

I'm really surprised Twilight has been such a huge point of argument. I've read all the books and loved them. I watched the movie and loved it. They're not perfect by any means, but what it comes down to is that it's just a good, fun story. Honestly, sometimes it's nice to read a few books that aren't so intellectually stimulating. I don't think they were ever meant to incite such debate, and I think people are reading way too much into it. I really don't give Stephenie Meyer that much credit, because her writing isn't that great. There aren't multiple levels of the book, with hidden meanings. It is what it is. I'm a feminist, but even feminists get sucked into things like Twilight. I'm not even ashamed.

That's the thing - I totally got a kick out of reading them. Not even in a snarky way, there were some moments that I did genuinely enjoy. I mean... I lost a lot of sleep in order to finish those books. No shame in enjoying something that does not necessarily correlate to your values.

What I have a problem with is how this is being shilled as a fantastic piece of literature with a strong heroine and an original and creative plot. I would have to disagree on all counts. And, as I've said before, I don't think it's reading too much into it when a guy mutilates and disfigures her girlfriend and is not held accountable at all. To use ONE example.

Truthfully, I liken it to people with fantasies of being dominated or raped. It's how you get your kicks and if no one's being hurt it's wicked cool, but would you promote it as the ideal relationship out of context?

Every defender of these books (which I have not read - nor have I seen the film) says "Yeah, it has these problems, but you can ignore them and still enjoy it."

Why is it OK to ignore them?

It is precisely in this sort of context that we need to be most critical of sexist messages because they insidiously creep into the readers' subconscious. You sit down to read this fun, stupid story and so you turn off your mental defenses, so to speak. Then whatever stupid, horrible messages the book might subtly promote just walk right into your brain wearing the armor of these characters you love. Suddenly you are willing to explain away unacceptable messages and behavior as unimportant, irrelevant, or even OK. That sounds dangerous to me...

I've said it before and I'll say it again: it's this sort of pervasive, insidious, low-grade sexism that does the most damage to our culture.

[0+] Author Profile Page Lucinda replied to artdyke :

So fiction is dangerous? Should we make the librarians take it off the shelves?

Please read my above posts. Characters in a book shouldn't be confused with actual abusive people. Fiction shouldn't be confused with moral philosophy. Aristotle wrote the Nicomachean Ethics to tell his son how to live a good life; Jane Austen wrote Pride and Prejudice as literature/entertainment.

Edward is domineering, knowingly smarter than Bella and capable of violence. Should we lock him up? No, he's a character in a book!!!!!!

No one is saying this book should not have been written/should be taken off the shelves.

Edward is domineering, knowingly smarter than Bella and capable of violence. I would also add that he is obsessive and belittling, for which there is much evidence. Should we sit back and shut up when he is portrayed as the ultimate romantic hero?

Certainly fiction cannot be confused with moral philosophy, but when you read a series of books that glorify emotional abuse in some cases (Edward/Bella) and physical in others (Jacob/Bella) why is it all of a sudden inappropriate to critisize?

It is not... I also once worked in a library and like some people can like a book other don't have to. To each their own.
Everyone criticizes and has their own opinion.
I believe in Voltaire when he says I don’t agree with what they say but I defend to the death their right to say it.”

[0+] Author Profile Page bri said:

All this makes me want to write a book that actually deals with fantastical relationships in a REAL and BELIEVABLE way. Seriously...fantasy or not...it's so corny.

The novels are not feminist literature.
The film is not a feminist film.

There are many feminist films.
Not every film out there, not even every film you spend 10 dollars on, is feminist. Be truthful, observant and above all, compassionate.

Films that are more feminist to rent, if that's what you're looking for:
What's Love Got To do With It?
Ever After
Aliens 1 & 2
The Color Purple
Hula Girls
North country
Norma Rae
Harold and Maude
Hand Maids Tale
Girl Interrupted
Bend it Like Beckham
The WOmen Of Brewster Place
9 to 5
Crooklyn
Frida
G.I. Jane
Elizabeth

[0+] Author Profile Page littleblue said:

Twilight was recommended to me by a dear friend, so I read it... and in about 3 days. I really related to Bella because I remember what it was like being an awkward teen. Sure, Bella's awkward, clumsy, inappropriately snarky, and has self-esteem issues while going through an intense and obsessive first love, but in book 1 she also had her strengths and her moments of giving (not related to Edward). I related to it as a modern Beauty & The Beast - male's love turns girl into woman, woman's love socializes the outcast male.

But by the time I got to Book 2, I started asking myself why I was still reading. Book 4 I actually put down because it was so offensive. I managed to pick it back up just to see how bad things could actually get.

Here's my take:

After what's happening in book 4, it seems clear to me that the author is using vampirism - with it's attendant immortality, extraordinary powers of mind and physical body, ability to have dominion over the more terrestrial world - as a metaphor for her religion's concept of everlasting life, becoming gods (or at least god-like) through physical (though apparently not material) asceticism, families are forever, and "living in the world, not of the world" ideal.

I find it interesting that the only way Bella can achieve that "immortality" is first through motherhood as a human and then being awarded that immortal "blessing" via a "gift" of venom from a patrilineal line (as in, say, the priesthood carried by males), which goes against the grain of traditional matriarchy - that immortality is a woman's gift - being liked like a spiral to the generations through time.

Bella wanted Edward to turn her so she'd be tied to him in that way - her blood became his as his venom became hers (a more skilled analyst could make something there about the Eucharist/sacrament). Theoretically, any vamp could've turned her, but only the skilled vamp Patriarch (I forget his name) could've done it "safely". While Edward didn't want to turn her - he was afraid she'd lose her soul. He only agreed to turn her after they were married, which Bella didn't even want. Conveniently, she became pregnant on the wedding night, then became overprotective of the baby that she could not and would not be turned until it was born or she died first. So really - she could only reach immortality through motherhood first. Which I guess satisfies the matriarchal version of immortality. Except the vampire (patriarchal) version of immortality - a "gift" she was to receive by patrilineal lines - comes along with physical asceticism (no drinking human blood, the natural diet of vampires) and god-like special talents (ike being a shield against mind control) AND then the worst part - ultimate physical supernatural ability and beauty.

The intense, inevitable love affair between Bella and Edward that never really was explained why they're so inexplicably drawn to each other is more about predestined plans and immaculate conception - Adam and Eve who then give rise to the "outcast from Eden" human bloodline.

I'm wondering why Bella's introduction to motherhood had to be so graphic and so graphically grizzly (oh, and it was grizzly!)? Surely there is more to it than just protecting youngsters - making it seem bad so they don't run off themselves and have babies at 16. Maybe it's because the patriarchy paints the pain of childbearing as a punishment for The Fall/Original Sin rather than giving the female the credit for realizing immortality really does come through spawning generation after generations - like the Demeter and Persephone myth illustrates.

I was really hoping after the first 3 books we'd get more on Bella developing her own strengths (as a human woman) in book 4, but she really doesn't until she's both a mother and a luscious, powerful vamp.

What makes the series sexist is that Meyers has an obvious disdain for every single female character in that book, save for April and Esme (and *only* because they are relatively asexual and represent the Good Mother figures (like the typical fairy godmother figure)), and romanticizes the female stereotype, even the parts where being controlled is considered "only a little over-protection". And if you really think Bella had choices, I'd say she had to be swayed and protected from the choices she made by the characters who supposedly knew better... primarily Edward. It isn't until Bella arrives at the quintessential female stage - married and mothering and, I'd argue, aligned with the patriarchy - does Meyers give Bella any strength and self-confidence.

I won't be seeing the movie, but I hope the screenplay was better than the books.

That was a fascinating analysis, littleblue.

[0+] Author Profile Page littleblue replied to ShifterCat :

Thank you. (and sorry for the typos.)

That was really fascinating! But who the hell is April? Was she a new vamp I missed? >_

[0+] Author Profile Page littleblue replied to roxie :

Sorry. I meant Alice, not April. It's been a while since I've read the books.

[0+] Author Profile Page Blitzgal said:

No. I've read the first book, was thoroughly disgusted by it, and pretty much threw it across the room the moment I finished. Every conversation that Bella has with the other girls at her high school are about guys. Who wants to date who, who is in love with who (hint: EVERYONE is in love with Bella!), etc.

The book is horrendously written, the Bella character is the worst "Mary Sue" I've EVER seen in published fiction, and her relationship with Edward is terrifying only because teenage girls are identifying with it and think that this emotionally abusive stalker is "totally romantic." These are likely the same young girls who (if they actually read it) would think that Heathcliff of Wuthering Heights is totally romantic.

And finally, the religious propaganda in this series is appalling. The whole "sex might kill her" crap is a convenient tool for the author to push her abstinence only message. The killer fetus whose mother refuses to abort even though her own life is in jeopardy is another plot device meant to push her pro-life message.

[0+] Author Profile Page Blitzgal replied to Blitzgal :

Sorry, I meant to respond directly to BornSlippy regarding the Bechdel Test, but after I logged in it didn't remember who I was replying to.

Far from it. While I know that there are more than a few teenage girls who can't separate fantasy from reality, I would not hesitate to say that the majority can; it would be insulting to their intelligence otherwise. I'm curious as to where in my post you find evidence for your claim. What bothers me about the book is the sexist messages, and how it's somehow being twisted into some sort of literary behemoth worthy of critical acclaim. I don't think it is.

And I never suggested that the alternative to this book would be a cast of characters that have no flaws. Furthermore, I'd go so far as to suggest that the characters in Meyer's book ARE portrayed as saints DESPITE their flaws (ie Edward stalks Bella because he's a vampire and wants to protect her and loves her so much and is never called out on it. Ever.) Edward is not portrayed as domineering, he is portrayed as a knight in shining armor. Jacob is not portrayed as a man capable of sexual/mental assault, he is portrayed as a potential love interest. Not only is it infuriating, I agree, it also makes for very boring reading at times.

Take for example Maribou Stork Nightmares, a book I mention in another post - it's from the POV of a man who can certainly not be described as a saint in any way, and I consider it WAY better reading material than Twilight. As a matter of fact, all my favorite books contain nuanced, flawed characters who are portrayed as such because that's what makes them interesting - I'm sure you agree.

Please don't try and pin me for things I haven't said. Stephenie Meyer wrote a cheesy book with sexist and extremist pro-life messages. I'm criticizing her for it. We are both in our right to do this.

Ugh. Sorry. Just like above, this was meant to be a reply to Lucinda. Please ignore :)

[0+] Author Profile Page Kiboko said:

What?!

I haven't read the books (or seen the movie.)

But one of my dearest friends SWEARS that I
am Bella (although she believes that Bella is a strong character - so I "guess" it's a compliment?) - and is constantly trying to get me to read the series (to which I recoil internally and make excuses about having too much grad school work to do). After doing a bit of research and reading other arguments of the Bella weak v. strong...I used to be offended by the comparison.

Until today.

I never read about the incest vampires OR the pregnancy or the baby being bitten out of her. I'm sorry, I know it's terrible on so many levels - but overall, that's just funny to me.
Like a vampire spoof - it's just absurd people are seriously defending this! Come on. It's like the wife turned zombie giving birth to the zombie baby in Dawn of the Dead (the one with Sarah Polley)?

So. I guess I need to find my vampire, and get pregnant with a vampire baby...are there any match.coms specifically deisgned for that?

[0+] Author Profile Page Snark said:

It's funny to me, how much feminists get up in arms about Twilight.

In a movement claiming to be about "choice", you can see that feminists only respect choices made by women/girls that reflect what they want them to choose.

When you have absolute hordes of girls charging towards material that reflects traditional gender roles (instead of the "feminist-superwoman-does-it-all-and-never-needs-men" material they'd prefer them to read), there is nothing but freakouts.

A lot of the feminist community FEARS the idea that girls might actually LIKE traditional gender roles, instead of the artificial ones they've tried to instill. That despite 30 years of propaganda, young girls still want and crave traditional gender roles.

Funny, that.

[0+] Author Profile Page djhop replied to Snark :

So by "traditional gender roles" you mean abusive relationships?

[0+] Author Profile Page littleblue replied to Snark :

>

The feminist movement isn't just about choices. And when I hear somebody prefacing their argument as such, I know they're about to say something rather not feminist.

>

I guess I'd caution you to remember that this is a feminist community. I don't see the Twilight Series as being treated any differently than any other book review here. In fact I'd be disappointed if we weren't discussing Twilight given what a national discussion it has become.

So, yeah, Bella makes choices that run down the religious rights' playbook, letter for letter. But it doesn't seem to be lost on anybody here nor do I think it was lost on Meyers just how androcentrist this series is.

If you look at this through a coming-of-age fariy tale (as I did), it was utterly disappointing to see Bella develop her own self outside the existence of Edward and vampirism. I hoped that the sometimes snarky, awkward Bella would grow into a woman in the sense of self-confidence and independence as a human first before aligning herself so wholly with vampirism (which I argue earlier is really androcentrism in vampire clothing). But it certainly isn't lost on us or Meyers that she in no way does this UNTIL she's married and mothering. Then she's rewarded with all the spoils - wealth, ultimate physical ability, and her superpowers. This is essentially my argument up-thread.

I will hand it to Bella in book 4, however. The only real noble and human act is setting up that contingency plan where Jacob would take Renesme in the event things went south with the Volturi.

I think Meyers in general has a distaste for women outside the married and maternal frame. What about that female werewolf (I forget her name) who is both bitter and outcast because she's essentially sterile and her "female parts don't work right"? What about the girl in school whom Edward had to read and referred to the act as "condescending low" because she was so shallow? How about Rosalie - snide and bitter because she didn't have a baby? How about Rene whom Meyers paints as a joke and as a convenient plot device for Bella to be the motherless waif every good fairytale should have? How about knock-out, luscious vampire Bella who still has to get dolled up to meet her document forger, because if money, fear, or kindness isn't enough to get what you want, sex-appeal sure will be? And what about this "physical love is profound and transforming" nonsense that is, yet again, about controlling female sexuality?

Another series of books I just finished reading was His Dark Materials (The Golden Compass series). That book is full of "traditional roles". Lyra is the bearer of the alethiometer, which is a symbol for intuition (among other things). Will is the bearer of the knife. Sometimes Lyra has to capitulate to Will and the strength of the knife; sometimes he has to capitulate to her and her knowledge and intuition. Sometimes he rescues her, as does she in return. Yet, female sexuality is upheld, not denigrated. Female power is strong, trustworthy, and noble. I'd much rather my daughter read these books.

One thing you mention downstream is the idea that real women would carry pepper spray to defend themselves. Anybody remember if Bella has pepper spray during that attempted assault mid-book 1?

[0+] Author Profile Page Geneva replied to littleblue :

no, she doesn't carry the pepper spray with her ever. but before edward rescues her, it's clear that she's preparing to defend herself, and she even lists a few self-defense techniques.

[0+] Author Profile Page Geneva replied to littleblue :

bella does express an interest in going to college in the beginning of the book, before she meets edward. later, she decides not to go to college HUMAN, but she's going to be 18 forever. it's not like she plans never to go to college, she just doesn't plan to go to college while she's desperately thirsty for human blood. also i think toward the end of the fourth book they mention that dartmouth isn't even out of the question for the coming semester because she's so good at self-control already. she's not exactly choosing no education or further life goals to be with edward, she's just choosing not to pursue those things as a human before joining edward as a vampire.

[0+] Author Profile Page rustyspoons replied to Snark :

Oh, I see, and YOU'RE not down on women who DON'T choose traditional gender roles when you label their choices as "artificial"?

[0+] Author Profile Page Snark said:

What's abusive about it? Does he beat her?

Just admit that feminism hates it, because it shows that girls like traditional gender roles, and that's Very Very Scary to feminists.

[0+] Author Profile Page Tiffany replied to Snark :

Snark, I'm glad you've never been emotionally abused. There are terrifying things that human beings can do to one another without raising a fist.

Feminists do not find teenage girls identifying with traditional gender roles scary. We find it banal.

[0+] Author Profile Page Snark replied to Tiffany :

Hah. If you didn't find it scary, you wouldn't attack, and viciously so, anything that portrays them. You don't want women choosing traditional gender roles, you want them choosing what you tell them to.

Because being controlled isn't bad, when a woman is controlling other women, right?

[0+] Author Profile Page Tiffany replied to Snark :

Play back for me the part where I attacked it. Far from hating the series, I specifically said I was enjoying it, and even the complex character of Edward, despite his shortcomings. I wish Meyer had invested as much in the complexity of Bella as she did with her love interest.

[0+] Author Profile Page Lucinda replied to Snark :

Yes, I admit I feel restrained and boxed in by traditional gender roles, and I don't like to see actual real-world girls cling to them as the only option. When I see how aggressive my three-year-old daughter is I'm proud of her (until she starts hitting) even if it's not the most beneficent quality she possesses.

That being said, I notice in this thread a general repugnance towards the idea of all-consuming love. I don't like like the suggestion that needing someone, loving someone categorically, makes one a failure as a woman and feminist. It's almost like posters are saying love is sexist unless the woman is independent and strong enough to not really need her chosen partner. Love is sexist?

[0+] Author Profile Page Snark replied to Lucinda :

Because being in love with someone is SO abusive.

Right.

Just admit, you find traditional gender roles inherently abusive (bias!) and you wish to eradicate them, despite what young girls obviously want.

In effect, you wish to control women, which is by far the most antifeminist thing one could do.

[0+] Author Profile Page Kiboko replied to Snark :

Oh, of course it's only abuse is she isn't able to hide the bruises and the scars? Because she's not in ICU?

Nice.

My main problem is that it's being in some circles it's touted as feminist because Bella is a female, the books are written by a female and the movie was directed by a female - and as you know, that doesn't make it as such.

[0+] Author Profile Page Tiffany said:

I'm just reading the first book, and I see all of the points here, on both sides. Edward's behavior for 3/4 of the book--as far as I've gotten--is domineering and manipulative. Red flags for an emotional manipulator?

--Feels overly protective of her, and tells her so
--Stalks her and invades her personal space often(there's no getting around this as a very bad deal, even if it turns out that she likes it)
--Laughs at Bella--a lot. Always smirking, grinning, chuckling at her when she is serious.
--Can dish it out but can't take it, whether it is teasing, interrogation or physical intimacy
--Tells her what to do instead of asking
--Wants to know everything about her, then sometimes uses her answers against her, while often opting not to answer her questions
--Isolates her from her friends and family

Bella is so far a flat character. The book may be from her point of view, but Edward is the center of the story. Bella is often unable to control herself, particularly when in physical situations with Edward, and is often "dazzled" by him. She is rescued from death by Edward on at least three separate occasions. She is also a subservient wife substitute for her father. The only time she seems to exert any strength is with the other human female characters--making "real" women virtually insignificant--or when she is using her sexuality with Jacob to get the skinny on the Cullens. This does not make a strong female character, but I also don't think Bella is meant to be a role model of any kind. She is an empty vessel through which the story of Edward is told.

Even knowing all of that, I love the story. I'm a little obsessed with Edward too. It is a book, but it is a book aimed at teenaged girls, so I'm hoping there are lessons to be learned about blind obsession and damaged men. I plan to read all four books, and hope I'm not still disappointed with Bella at the end. I'm crossing my fingers that there is a reason for all of the "damsel-in-distressing" she pulls in the first book.

[0+] Author Profile Page Megs said:

Maybe I come from a different perspective. I by no means believe this to be a feminist happy book, but I also do not believe it to be the center of all things anti-feminist I appreciate the books on a level though because they get children to read. Some may believe that they need to be reading better books, but with some kids it is all you can do to get them to read.

I think that it is important that they understand this is not how the real world workds, but I believe that the complete and total fantasy of this book puts the actions in a safe enough place that most kids and teens reading the book understand what happens in this book is so dramatic that it isn't acceptable in real life.

I'm not excusing the complete lack of feminist ideals, but at the same time most of what happens is Bella's decision...her decision to be with Edward, her decision to keep her baby (with much opposition from everyone except Rosalie), her decision to become a vampire, her plans...also you forget the other women in the story...Alice is completely kick ass...and Rosalie...she's a tough woman who is not to be messed with...

So in the end I totally get the unfeminist of this book and series, but I also don't wish to completely ban or hate something that gets so many kids to read...because once they start to become readers they can get involved in other books and other ideas including feminism...this book can also spark some really "well that is so uncool" reactions to what happens with Bella in this book...that can make them realize the need for feminism...or lead to books by Frank Beddor, Tamora Pierce and Chris Crutcher that I believe every person should read...as long as there is definite acceptance and pointing out of the problems with teh book then I don't suppose there is as much of a problem, because for me they provide me with ways of getting my kids (students) to read.

[0+] Author Profile Page Snark said:

--Feels overly protective of her, and tells her so

Vampires want to kill her. She's accident-prone. She cannot protect herself against things like vampires, werewolves, and other supernatural entities that are far more powerful than a mere human.

--Can dish it out but can't take it, whether it is teasing, interrogation or physical intimacy

He cannot be physically intimate with her, and it's not because he's "emotionally abusive". He's a vampire, with skin like stone, and the strength to throw cars around, coupled with the fact that her blood smells to him, like your most favorite food does to you.

He has to be careful, to avoid killing her for her blood, as is his nature as a predator of humans, and were they to have sex, he could very well kill her completely accidentally. That does not make him physically abusive, either. It's a simple ratio of strength.

Again, she's rescued by him because there are situations that she isn't capable of doing anything in.

She's dazzled by him, as it were, because *he is a predator*. Much like animals can be dazzled and dazed by that which preys upon them, so too is it the same with this.

[0+] Author Profile Page Tiffany replied to Snark :

I never said he was abusive. I don't think he was, and I don't think that the series would be as successful if he was. He is a manipulator, which I agree with you, is a part of his predator identity.

As far as the physical intimacy, he initiates it, pushes it as far as he wants to go, then chastises her when she reciprocates. He may have his reasons for stopping, but his anger at her for reciprocating is unwarranted.

You've kind of proved the point of the feminists here when talking about how accident-prone and incapable she is. Remember, she was written that way, by a professional writer who had the ability to make her more capable than she is. It isn't as though we are talking about a real person--Meyer could have easily made Bella less of a bumbler.

It sounds like you know more about the books than I do, anyway. I'm still reading and learning. I'm not passing judgment as much as observation.

[0+] Author Profile Page Snark replied to Tiffany :

Yeah, but see, why is it a problem that she's accident-prone?

It seems too many feminists have freakouts if a female character is actually written as fallible and human. They get offended if a woman isn't written to be infinitely capable, strong, independent, untouchable, and free from any sort of need or want from others.

Real people aren't Diana, Queen of the Amazons, aka Wonder Woman.

Why on earth do feminists get SO offended that females in fiction aren't continually written to be such a person?

Yes, she could have been the strong, independent, invincible superfeminist, but A:, that's incredibly boring, B:, no teen girl would identify with this wholly fictional, fabricated entity.

"Real people aren't Diana, Queen of the Amazons, aka Wonder Woman."

Here are some real people for you to look up:

Calamity Jane
Tomoe Gozen
Grace O'Malley
Wang Cong'er
Anne Bonny and Mary Read
The Trung Sisters
Lozen
Gordafarid

[0+] Author Profile Page Snark replied to ShifterCat :

Yes, because a handful of people are TOTALLY representative of the three billion women on earth. Yep.

I'm not going to dig up entries on every single woman who's ever shown herself to be brave and competent. You sneeringly brought up Wonder Woman (who isn't a flawless character anyway) and said, "Real women aren't like this", by which you apparently meant "Able to think on their feet and find their own way out of dangerous situations". My point was that history contains many, many examples of women did just that.

Sticking to fiction, though, I read SF, fantasy, and comic books specifically because I want characters who aren't average. When I'm vicariously experiencing the adventures of a hero or heroine, I want to be able to say, "Oh, that was smart!" or "That took courage!"

Characters making occasional mistakes is good. But if I spend the entire book saying, "Oh come on, I could do better on a bad day", then I see no point in reading it.

"She cannot protect herself against things like vampires, werewolves, and other supernatural entities that are far more powerful than a mere human."

Does she even try?

Does Bella make any attempt to discover the weaknesses of these supernatural critters she finds herself surrounded by?

If the supernaturals have no weaknesses, I'd say that's bad writing on Meyer's part -- fantastic creatures, like human characters, need some vulnerability in order to be interesting. But in either case, Bella should at least try to find out if there's anything she can do to protect herself. That's basic, survival-level sense.

Also, isn't Bella threatened by mundane humans as well? If she can take lessons in motorcycle-riding and cliff-diving, surely she can take one goddamn self-defense course.

[0+] Author Profile Page Snark replied to ShifterCat :

Does she even try?
Does Bella make any attempt to discover the weaknesses of these supernatural critters she finds herself surrounded by?

There is no point! The vampires and werewolves, for instance, can move faster than a human can see. The werewolves heal lightning quick from almost any wound, and the vampires are nearly invulnerable.

They could also throw a car at you.

What is there for Bella to try? I know it offends your feminist sensibilities that a woman might actually need a man to defend her, but deal with it. While she is a frail human, she cannot stand against those more powerful than her, and no amount of feminism is going to give her super speed, super strength, or invulnerability.

The vampires HAVE no weaknesses. To kill them tends to require something strong enough to separate them into multiple pieces, and then burn to ash those pieces.

Bella cannot do this, she's not strong enough. Feminism won't make her strong enough.

It's like asking why Lex Luthor doesn't just try to punch Superman in the face.


"There is no point!... It's like asking why Lex Luthor doesn't just try to punch Superman in the face."

No, Lex Luthor does his research and figures out, "Hey, there's this stuff called Kryptonite that really does a number on that big blue schoolboy. And even if I can't get that, he has a slight vulnerability to electricity, and no resistance to magic."

You've still avoided my three points, which were:

1. No vulnerabilities = Bad writing.
2. No attempt to discover the weaknesses of creatures you're in danger from -- even if such attempts ultimately fail -- = weak and/or stupid character.
3. No attempt to learn self-defense against attacks by ordinary humans when you're also in danger from those = weak and/or stupid character.

For the record, I'd say the exact same things if it were a male character in the same situation. The fact that it's considered more acceptable from a female character is just more irritating.

[0+] Author Profile Page Snark replied to ShifterCat :

Okay, there's nothing she can do. At one point, she gets angry and punches Jacob (werewolf) in the jaw. While he's human.

He doesn't even feel the blow, but she breaks her hand in doing it.

There's no research TO do. Edward repeatedly states, as do others, how terribly hard to kill his kind are.

To the point that dismembering and burning the pieces seems the only acceptable solution, and that it takes more than a few of his kind just to subdue and destroy ONE.

Bella would have no chance. Moving on, that werewolves are specifically designed to kill Edward's kind would show that she definitely cannot harm them.

The danger in them comes from them ACCIDENTALLY harming you, due to their natures being so unstable. Too much emotion, and they can change against their will, causing harm to those nearby.

She knows this. There is nothing TO research for her.

As for humans, she carries, or at least possesses, pepper spray, and other such things. Her town is often portrayed as tiny, podunk, empty. Where would she even GO to learn self defense? Not every woman needs to do what you believe are feminist ideals. Maybe she's not interested in karate. Maybe she doesn't want to. Again, just because YOU find something ideal, wouldn't mean someone else does.

As far as I can tell, all the irritation stems from feminists hating traditional gender roles, and hating that girls seem drawn to them.

Um, based on the sort of evidence you give, a character in the DC Universe could draw the exact same conclusion about Superman. "He's strong enough to throw cars, he's faster than a speeding bullet, and I broke a knife trying to stab him -- nope, clearly he has no weakness I could ever exploit!"

It's no good for her to depend solely on Edward for any other information, because 1. He might not know and 2. There's no guarantee that he'd tell her if he did know.

And again: even if Bella tried to find a weakness and didn't succeed, at least she'd have shown some initiative.

"As for humans, she carries, or at least possesses, pepper spray, and other such things."

See, at least that's something. And was it really so hard to answer a simple question?

Something else: a character need not be a combatant to be heroic. Often, if a protagonist cannot physically fight off an enemy, he or she finds a way to outwit them instead. Are there any instances in the Twilight series of Bella thinking on her feet and using her brains to get her out of danger?

[0+] Author Profile Page Snark said:

I'm not excusing the complete lack of feminist ideals

Also, to this:

Why does every book have to have "feminist ideals"? Again, we come to the fact that feminism hates when women choose things that they don't agree with.

Snark,

Your prejudice is showing up. And it is not showing up as intelligence.

I am a feminist. You do not know me. Stop making gross generalizations and perhaps you will learn and grow.
We can hope.

Until that internal shift occurs in you, I bid you good bye.

[0+] Author Profile Page Okra replied to Snark :

Every book needs to have feminist/humanist ideals.

Every movie does.

Every advertisement does.

Though we may not achieve this in practice, we still aim as high as we can.

Feminism and humanism proceed from the point that every human being--every gender, every ethnic group, every sexuality--is capable of every color and shade in the spectrum of human experience.

Anti-feminist/humanist media reify essentialized gender and ethnic roles. They persist in sliding Type Z into the Slot reserved for centuries for Type Z.

When you are one of the people society has classed as Type Z, and you see all the Slots out there which are closed to you, your heart--my heart--breaks over all the things society thinks you can't or shouldn't or wouldn't be good at doing.

Feminist/Humanist media wants all peoples--Typing not allowed--to get their chance at all Slots.

Producing media & literature in line with these goals is ground zero for industrialized nations who have already imporved legal protections for women and minorities.

Any questions?

[0+] Author Profile Page Snark said:

Every book needs to have feminist/humanist ideals.
Every movie does.
Every advertisement does.

No, they don't.

Real women aren't feminist superwomen that are perfect and never need/want men.

Deal with this.

I know it's difficult to understand, but, characters in fiction are often written as, you know, human. Fallible. Imperfect. A lot like real people. So, there will never be an age where all women characters are written as not needing anyone for anything, ever, never wanting men, never wanting marriage or families, and having the best jobs, and making billions of dollars.

Instead, you'll continue to see flawed, human women, instead of your ideal feminist superwoman.

See, thing is, if you advocate choice, and the right for women to choose what they want, then, by default, you cannot criticise women that choose to be traditional. You cannot criticise women that write about traditional gender roles.

In doing so, you are telling women that those choices are "wrong", and they are wrong for making them.

[0+] Author Profile Page T-Monster replied to Snark :

You really need to read my post on this. You have an ass-backwards idea of choice, since no one is taking away S. meyer's rights to write total garbage. We're just critiquing it (first amendment RIGHT last I checked). If she can write crap, I can call her out on it.

And one is saying hetero women don't want a man or a family- just not some over-idealized fictional vampire that beats the crap out of them during sex and an infant that eats its way out of the uterus. Way to have a nuanced analytical understanding of the topic, asshat.

[0+] Author Profile Page Snark replied to T-Monster :

You have an ass-backwards idea of choice, since no one is taking away S. meyer's rights to write total garbage.

My point is, everyone here is basically ripping into the character's choices, because they don't approve of those choices.

We're just critiquing it (first amendment RIGHT last I checked).

Neg. You're apparently very unclear on the right to free speech.

It guarantees you that the GOVERNMENT will not attempt to silence you. Private individuals, companies, organizations, etcetera, are not bound as such, and can silence you as they see fit.

I do so hate when people bring up their "right" to free speech on the internet, assuming that it means you actually have some unrestricted right to free speech, wherever you go, and never realizing that it only keeps the government from silencing you, and not anyone else.

And one is saying hetero women don't want a man or a family- just not some over-idealized fictional vampire that beats the crap out of them during sex and an infant that eats its way out of the uterus. Way to have a nuanced analytical understanding of the topic, asshat.

Nice name-calling.

And, I recall, all throughout the books, as she attempted to seduce him, he refused her sexually, because of his supernaturally superior strength, knowing it would cause her harm. Way to twist established facts to support your belief of a "physically abusive relationship", "asshat".

"Real women aren't feminist superwomen that are perfect and never need/want men. Deal with this."

Bella is not a real woman. She's a fictional creation used to promote a story. And it just so happens that the story is not just above love (which I have absolutely no problem with), but about an emotionally abusive relationship that is being GLORIFIED. No one has any problem with the portrayal of a less-than-perfect scenario, but when we are handed a couple that have intense problems that are never addressed or considered flawed, it's a little creepy.

"I know it's difficult to understand, but, characters in fiction are often written as, you know, human. Fallible. Imperfect."

You really don't need to resort to being condescending.

"...you'll continue to see flawed, human women, instead of your ideal feminist superwoman."

Word. Can we ask for a flawed, human woman that is represented as such as opposed to a flawed woman who is treated as a child throughout the text?

It's really not Bella I have a problem with, nor Edward, nor Jacob. It's the portrayal of them and their interactions that's troubling to me.

[0+] Author Profile Page Snark replied to gracie-bird :

Word. Can we ask for a flawed, human woman that is represented as such as opposed to a flawed woman who is treated as a child throughout the text?

For a great deal of the text she IS a child.

She's seventeen years old, and a junior in high school.

Explain to me the part where that makes her somehow NOT a child.

I'd bet if she was exactly the same, but wasn't in a traditional gender role, you'd have no problem with her.

Except that there are other teenage fantasy fiction characters who have been written in feminist ways in similar situations, so contrary to your implication that we feminists will never be satisfied, it absolutely can - and has been - done. Laura Chant from Changeover (read the first review) and Meg from the Wrinkle in Time series come to mind. Both had some major flaws, were head-over-heels for boys, and made what seemed like ridiculous choices because of those boys but they were still written as strong young women.

Perhaps, rather than making stupid assumptions off of (apparently) only one thread and some really inaccurate preconceived notions, you should have asked us what a feminist alternative might be. But it's just a lot easier to treat us like we're stupid, isn't it?

Fair enough, I was very inaccurate with my wording. I was typing in a flurry and conflated certain issues in my head. My apologies.

To articulate my thoughts more clearly, I would like to see (and do see in many other works) a flawed, human woman represented as such. Not as the heroine of an idealized relationship where her flaws are routinely denied or glossed over.

Please don't put words in my mouth. If she were a real person, it would be her choice as to what gender role she wants to play, traditional or otherwise, in the confines of her relationship. It's not the role given to her but the glorification of that role in an abusive relationship that I take issue with.

[0+] Author Profile Page Okra replied to Snark :

Clearly, you have no earthly idea what feminism and humanism are fighting for.

Or, you do, and you just betrayed your astounding incapacity for empathy and your inability to divest yourself of whatever privileges have blinded you to the hard road minorities of all types still hoe.

Educate yourself.

Then get back to me.

[0+] Author Profile Page Ruth787 replied to Snark :

Nobody is saying that all women are totally independent and don't need to have a partner. Nobody is saying that a strong, independent woman wouldn't want to spend her life with a man--an equally strong, independent man. And nobody is saying that we want perfect, infallible female characters in our fiction. What we want--well, I can only speak for myself, so what *I* want is a female character who has wants and needs outside of one person. Male or female. Bella's attitude toward Edward is unhealthy. In a real person, we would call that an obsession, and it's not generally encouraged. It's also not a good example for young girls, who are the main recipients of this book's message.

As far as Bella fighting back against Edward and the other denizens of his supernatural world goes, Bella's helplessness is Meyer's own fault. I have never read a book or graphic novel, seen a TV show or film featuring vampires that were as totally impervious to any kind of harm as Meyer's vampires are. Cordelia Chase (of "Buffy" and "Angel" fame) can hold her own against the Whedon-verse's vampires, and in Robin McKinley's excellent "Sunshine", the main character, from the beginning of the book, has learned to defend herself against the supernatural. If Meyer hadn't made her vampires completely impossible to defeat, Bella could have been a stronger character and her vampires might have been more interesting.

And I don't think anybody is saying that Bella shouldn't have had the choice to get married early, or to have a baby, or to leave her town and her family. Lots of women make these decisions. But Bella's choices are all predicated on the idea of being with Edward, of pleasing Edward, of never being separated from Edward even for a moment. Her choices don't come from a place of her wanting to do what's best for her, but rather what will keep her getting her fix of Edward.

That's why she's anti-feminist. Not because she's clumsy, or because she's a young mother.

[0+] Author Profile Page Axel said:

I suppose one could find gender oppression in anything if one is willing to change the facts to suit her diatribe.

With all due respect, the author doesn't really favor "choice" in the least but is hell-bent on insisting that a woman cannot be a "feminist," as she defines it, if she chooses to love a man and enter into a relationship where both become make sacrifices for the other -- because that's what happened in the film. I saw the film and -- newsflash -- Edward gave himself to her every bit as much as she gave herself to him. They were two lovestruck kids, but there is not a hint of subjugation or oppression in their relationship. I saw two equal moral agents -- and the conflict that drove the plot was that he happened to be a vampire.

I am sorry, but the author's post reminded me of that tired business about women needing a man like a fish needs a bicycle -- which for some people has taken on this whole anti-marriage connotation.

The problem is that men and women routinely fall in love, something the author doesn't bother to consider much less deal with. It is silly to twist and pound the normal sacrifices that lovers make for each into oppression to women when, in fact, there is no oppression to women present. You need to pick your spots better or else you lose all credibility. In this particular movie, the girl freely chose to act out of love, AND the boy made sacrifices at least as great for her. Neither lover discarded their independence.

With all due respect, the fact that persons such as this author insist on metamorphosing garden variety teen "love" -- as nutty as it might seem to an adult -- it into something it is not -- oppression and subjugation of women -- strikes most people as inane and engenders disrepute of feminism. We need to put a better face on feminism than to put every damn chick-flick that comes down the pike under the gender microscope and throw hissy fits because a film doesn't tell the "ideal" feminist story, whatever the hell that is.

Sheesh! Let's focus our attention on real oppression and stop seeing it ooze from every crevice.

[0+] Author Profile Page T-Monster said:

Twilight is awful, and rather than write a novel-length comment here, I wrote a community post about it.

Shameless self promotion:
http://community.feministing.com/2008/11/yes-another-twilight-post.html

[0+] Author Profile Page femmefatale said:

I have never read Twilight, but I have heard enough to come to this conclusion, why would be so terrible if Bella was a strong female character?

What if she found love but also realized at her age there is a lot of experiences that she would be missing out on if she got married young and became a mother? It is not because women who are mothers=lifeless drones, but it is the fact that motherhood or any lifelong commitment is a huge deal and shouldn't be weighed lightly.

Why couldn't of Bella pursuit her own dreams and ambitions before making a decision that dictates the course of her natural and I suppose unnatural life?

Bella is allowed to be a person who has flaws, I mean come on who doesn't, but can she be her own person as well. Plus if Bella was a feminist role model, then it would make the success of the novel, film (written/directed by women) all the more sweeter.

But in my humble opinion Twilight is to The Vampire Chronicles is what Sarah Palin is to Hilary Clinton.

[0+] Author Profile Page Snark replied to femmefatale :

See, you prove my point. You approve of women making choices...as long as those are the choices YOU want them to make.

What she chose ARE her dreams and ambitions.

I know it's really, really hard for the average feminist to grasp, but there ARE women out there that can choose to be a wife and mother and not feel like they're missing out on something.

I know to YOU that would be them somehow pushing aside their own ambitions, because you probably believe that financial success is the only measure of a happy life.

There's so much venom in the average post here, when it comes to mothers/wives. You can swear up and down you respect their choices, but one only needs to read how you say what you say, to see that you do not.

[0+] Author Profile Page femmefatale replied to Snark :

The issue I have with Bella becoming a wife and mother is the role that Edward has played in being emotional abusive, there is no inherent proof that this is what Bella really wanted because she has no personality outside of Edward.

Would have been better if I said, well gosh you know she has no life outside of Edward, he deliberately isolates her from others and she does nothing to try to defend herself, maybe she should get to know HERSELF better before making several large decisions that shouldn't be weighed lightly: wife, mother and vampire.

Perhaps I should have clarified, she needs her OWN identity before she tries to raise another individual. Because how realistic is this message for young girls saying that you will have this kind of love because it is ABUSIVE and HARMFUL for both parties.

No monetary success does not equal happiness in my world but having your own identity outside of a partner and feeling good about yourself for what you can offer to whomever you desire (that includes in a certain career, raising a family or for your partner). Being a strong role model means being a positive one eventually and from what has been indicated that change has not been seen in Bella.


Yes, because "the average feminist" is never a happy wife or a happy mother. /sarcasm

[0+] Author Profile Page Snark replied to wax_ghost :

Considering how often you malign women who choose to be wives and mothers, yeah, I'd say your average feminist philosophy is completely incompatible with motherhood and marriage.

How COULD a feminist be a good mother, when all she'd do is look at her child as a source of "oppression"?

"Considering how often you malign women who choose to be wives and mothers..."

Citations, please.

[0+] Author Profile Page Snark replied to ShifterCat :

One need only look at comments all across this site, or any other feminist site. There's a lot of animosity directed towards women that choose to have children/get married.

I fail to see how a feminist could ever truly be happy in a marriage, or as a mother.

Considering so much of feminist thought is devoted to arguing that marriage = oppression, and motherhood = slavery.

You'll have to get more specific, like using actual quotes. When you're asked to present evidence, present evidence, don't just wave your hand lazily and say, "Oh, it's everywhere". That will just lead us to believe that you don't have squat, and are just seeing what your preconceptions tell you.

Anyone displaying animosity towards women who've chosen marriage and/or motherhood here would get it fired right back at them, considering how many of us are wives and/or mothers.

"I fail to see how a feminist could ever truly be happy in a marriage, or as a mother."

Not only are feminists happier in our relationships, but so are our partners!

How about you stop setting up strawfeminists to knock down and learn something about actual feminism? Then you won't make such a fool of yourself.

Lots of us are wives and mothers, Snark.

[0+] Author Profile Page crafty said:

i completely disagree with anyone who says that twilight is a book that has antifeminist values in any way.
i dispute the point about Bella obsessing over Edward so much and worrying about her insecurties. If you look into the draft of Midnight Sun, the book from Edwards view, he is the same way. He is insecure about himself and constantly obsessing over the wonder that is Bella.
there is a point that many stories are portraying women as damsels in love, but do no pigeon hole any female character who is acting in the name of love becuase that in itself does not seem feminist
BOTH bella and edward put alot at risk at one time or another for eachother. try not to make it about gender but about emotion. they are deeply in love and it is an equal relationship

truly, bella is strong willed
and twilight is not unfeminist

How is the unwarranted forgiveness of domestic and sexual violence towards women not unfeminist?
How is the glorification of emotional abuse towards women not unfeminist?
How is the fact that the female characters are defined by their male counterparts and the only ones that aren't either getting married or giving birth portrayed as the bitchy ones not unfeminist?

Perhaps one could argue that their relationship is equal. But I don't think one could argue that Twilight the book is not unfeminist.

[0+] Author Profile Page Geneva said:

a lot of the posters on here make it sound like bella gave up everything to become a wife and mother. first of all, edward wanted to get married because a) he didn't want bella to miss out on any human experiences b) he loves her and wants to be with her for the rest of his life/eternity c) he is afraid that as a vampire he no longer has a soul, and doesn't want to risk bella's by having sex outside of marriage- because bella insists on having sex before she is turned into a vampire- and d) he grew up in the early 1900's when getting married at 18 was completely common.
on the subject of bella becoming a mother, first of all it wasn't either of their intentions for her to become pregnant. for all they knew, it was impossible. second of all, renesmee (bella's daughter) isn't exactly the same as the crying screaming keep-you-up-all-night responsibility you would imagine if you hadn't read the book. she's brilliant, and fairly self-sufficient, and sleeps through the night (not that bella needs sleep as a vampire) and is nearly as strong as the other characters, not to mention she'll be an adult in, what? 7 years?
it just doesn't seem like the same issue as bella choosing to be a mom just because that's what society tells her she shoudl be and because she's just "got that womanly urge" or anything like that.

I would actually argue that Edward didn't want to get married for those reasons because he's not a real person. But even taking that into account, Bella's becoming a wife and mother is intrinsically linked with her becoming a vampire at his hand. I wouldn't say that getting married is "giving up everything" - quite the opposite - but when you're eighteen, in love for the first time, and are fully aware that your marriage is linked to death, that's sort of really giving up everything.

I would also argue that one person knew she was going to get pregnant: Stephenie Meyer. And the fact that Bella's didn't want children AT ALL and had already made the choice NOT to become a mother makes it all the creepier. The brilliantness of the child doesn't help: just more emphasis on having the kid no matter what, because everyone will love it.

And this is more of a criticism of Edward's character than anything else, but I hate that so much of his behavior is attributed to how he was raised. Certainly your formative years as a child are extremely important to your behavior, but as is described in Breaking Dawn, becoming a vampire is a complete overhaul and, what's more, his upbringing happened a hundred years ago. He's a smart boy - he reads a lot, interacts with his surroundings, and he's perpetually a teenager with youth's curiosity and rebellion. Surely he's grown with the world. Surely he isn't believing the same thing he believed at the turn of the century. Then again, expecting dynamics out of Meyer's characters is maybe asking too much.

[0+] Author Profile Page Trova said:

I can't relate with Bella the way she is now. I cannot relate to someone who does not have goals for later in life and is obsessed with one guy. Nowhere in the series is Bella ever talking about the future or college or what she will do when she graduate high school. She is seventeen, about to graduate, but yet, we do not ever hear a single suggestion of what she will do later in life. Once she meets Edward, it's Edward, Edward, Edward, and not much else.

NO one ever said Bella need to be perfect. I'm all for flawed characters. Bella is not portrayed as flawed. She is portray as that sweet, clumsy girl who everyone loves and has a good personality. Instead, as you read the story, she uses and think less of the people around and then ditches them just for Edward. If someone called her out on these flaws, then that would be realistic.

Instead, when she calls Mike a golden retriever, manipulate Jacob for info, it's seen as okay. It's not a real, supposed flaw for Bella. Like when Bella depends solely on Edward for everything, and when he's gone, she just falls apart. It's seen as okay and when Bella is being called strong, female character, everyone thinks that these are good qualities.

She does not need to be Supergirl. No one ever said that. She could have realize her faults, and not depend so much on Edward. She could do all that and still be human.

When her human strength and abilities are no match against the supernatural, Edward could save her and I wouldn't have given a damn about that. It is when she jumps of a cliff because she could not live without hearing Edward's voice in her head, that's when she is weak and not a strong feminist character. There was nothing supernatural there. It's was just her and her unhealthy need for Edward. And she never gets completely over it. Only when Edward is back, that she is well again.

I do not want a super strong, brilliant Mary Sue as a character. What I want is a flawed human character, where she overcome her problems, and learns from what she did, mostly by herself, without clinging onto anyone. Bella isn't that. Whatever she ever achieves, it's because of Edward, and her supernatural friends, never her own unique human qualities.

Also, yes, in real life, people do obsess and live only for one thing. But when do we ever see them as strong? No. People pity them and hope they can do better.

[0+] Author Profile Page Snark replied to Trova :

Nowhere in the series is Bella ever talking about the future or college or what she will do when she graduate high school. She is seventeen, about to graduate, but yet, we do not ever hear a single suggestion of what she will do later in life.

This is covered, repeatedly in the books. Read them before commenting.

She doesn't intend to go to college, because by then, she plans to be an immortal vampire. They don't go to college.

t is when she jumps of a cliff because she could not live without hearing Edward's voice in her head, that's when she is weak and not a strong feminist character

Because loving someone more than you love yourself is definitely not feminist. How can you reconcile statements like you make, and then claim feminists aren't anti-love?

Feminism must be inherently selfish, if the concept of loving someone more than yourself is abhorrent.


[0+] Author Profile Page Trova replied to Snark :

I have read the books. The only time they ever mention her going to college is in Eclipse. In Twilight, it was barely any mention of college. We never read about what subject she likes best, or even thinking about options for college. A real junior would be researching college, and doing SAT practice. We never get a mention of all that. Maybe because it's early or she's still undecided, but this shows she is unrealistic. Before she realizes that Edward was an vampire and that she was going to be a vampire herself, she was not thinking about a future of some sort.

-

Bella's love for Edwards was not love. It was obsession. She behaves like a drug addict. Once she doesn't have an Edward, she engages in self-destructive behaviors. How is that loving? She is unable to even live without Edward. That's unhealthy. And it's not even real Edward. It's a voice inside her head.


Word, Trova. I love my husband dearly, but I wouldn't put myself in danger just to see him again (or hallucinate that I'm seeing him, or whatever). Why? Because I know that would upset him. Love isn't just about my needs.

[0+] Author Profile Page Geneva replied to Trova :

oops, i meant to post this here but it ended up somewhere f