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“Ain’t I a Woman”
Never are the problematics of race and gender at their most evident but when we see how the media disproportionately covers the hell out of disappeared pretty, young, white women and gives very little coverage to disappeared black women or men. This is also known as the “Missing White Woman Syndrome.”
“It’s all about sex. Young white women give editors and television producers what they want,” said Roy Peter Clark, vice president of the Poynter Institute for Media Studies in St. Petersburg, Fla, in an MSNBC story on this. Media critics in the article said that news editors might chose white women stories over others because they decide which stories people will relate to the most. Relate, and feel attracted to, I guess, since the target demographics are understood to be white men and women.
Images of violence towards white young women overpopulate horror movies as well–no horror movie is complete without a sexy chase sequence of blood and boobs. What is it with this fixation, and how messed up is it? And not that black women would want to be included in such a gross violence fetish, but the heart of the matter is that they are invisible, that they are not horror movie or nightly news material because they are not the embodiment of the virgin/damsel in distress, but rather the emasculating harlot, as bell hooks, author and feminist philosopher, points out.
hooks’s book Ain’t I a Woman, titled after Sojourner Truth’s 1851 speech, pioneered the analysis of the intersection of gender and race, and exposed one of the major shortcomings of modern feminist movements. In a way it acted as a response to Betty Friedan‘s The Feminine Mystique, which spoke to and about white middle-class women and largely ignored black and minority women of lower socioeconomic backgrounds (not to mention her offensive and very off-putting portrayal of gays and lesbians).
According to hooks, in terms of power, it goes something like this:
Author Isabel Allende touched on this in her recent TED talk, saying how
Similarly, Washington Post writer Donna Britt’s experience as a black woman gives her insight into the very definition of oppression. She writes: